Pop-Culture Angels Are More Than Just Embarrassing Kitsch
…ssly shifting malleability of the angel as a signifier. Furious angel Francis Lawrence’s 2005 Constantine, a film adaptation of Alan Moore’s DC graphic novel Hellblazer, details the work of its titular character, a metaphysical noir detective who lives in a Los Angeles that exists in a space equally with the dimensions of Heaven and Hell. As with Dogma and Good Omens, Constantine engages a certain “bureaucratizing of the sacred,” an understandin…
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