In the ever more dystopian world of Syfy Channel’s Caprica, teenage girls inhabit robot bodies, or live eternally without bodies at all, human bodies are marked by memories, and all the while there is blood flowing in the virtual streets.
Tamara, the girl who is dead but doesn’t know it, who exists only within the “magic circle” of a virtual game, takes center stage in this week’s episode, and in our commentary.
Among other clues to this sci-fi opera, our Caprica watchers took particular note of a bobbleheaded bull on the dashboard of a Tauron killer. What can we learn from the possibility that Capricans can be as kitsch-obsessed, cigarette-addicted, and as reckless with civil liberties as earthlings can be?
More on the sci-fi TV show that imagines monotheists rebelling against a polytheist society, speculates about the nature of the human soul, and asks, “Can you be free if you’re not real?”
Welcome to the first installment of our ongoing coverage of television’s latest contribution to the cultural intersection of science and religion, with bonus themes to include: the body, artificial intelligence, paganism, original sin, immigration, and race. Join Diane Winston, Anthea Butler, Salman Hameed, and Henry Jenkins every week as they delve into deep exegesis of Caprica.
An online novel about a flu pandemic blurs the boundaries between real “flu-blogging” and the dystopic world of its blogger protagonist. And it exposes the cultural anxiety, both religious and secular, that disease unleashes.
When an inexperienced Pentecostal pastor gets called by God to make a $50 million epic science-fiction film, is he a visionary, a prophet, or just another box office grifter? A new documentary tells the tale.
“Famine, Death, War, and Pestilence” in Wastelands, a new anthology of post-apocalyptic fiction.
A Church of Jedi attack spawns numerous interviews; despite thinly-veiled mockery, the coverage offers an unprecedented legitimacy, allowing them to subvert traditional media for their own ends.
What does a sci-fi hit have to tell us about ancient Greek theater and today’s electronically-inflected cultural landscape?
A recent statement by a Vatican astronomer opens a theological can of worms...
