Still Captivated by Southern Gospel

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Why is a gay secular humanist academic who left the world of orthodox fundamentalist evangelicalism half a life time ago still singularly captivated by Southern gospel music? Why, in the book’s terminology, have I been a Southern gospel sissy lo these many years since evangelicalism ceased to otherwise be a functional worldview for me? And why am I still proud and happy about it? Turned outward, the question becomes: What is it about the music that supports so many various affections and attachments?

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The Gospel Church and the Ruining of Gay Lives: An Interview with Anthony Heilbut

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Most insiders to this world are privy to the open secret of gospel’s deep reliance on the contributions and influence of gay men and women. But Heilbut opens wide the closet doors and peers in with the bright light of righteous outrage for the plight of the children in an increasingly homophobic religious culture, while also bringing a deeply felt sensitivity for the stories of the children and their musical sensibility. As he writes: “It is impossible to understand the story of black America without foregrounding the experiences of the gay men of gospel.”

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