Caprica’s Advertising and Teen Religion
How a television show can be a religious event.
Read MoreHow a television show can be a religious event.
Read MoreHold the popcorn, we’re not quite there yet.
Read MoreVon Trier’s terrifying rumination on the triad of “pain,” “grief,” and “despair” reminds us that, in contrast to the pronouncements of politicians on what is natural and normal, in nature eating one’s young is not too far out of the ordinary—especially in times of stress.
Read MoreIn the great tradition of Socrates and Kierkegaard, Lars von Trier realizes that his role is to enable the audience to ask questions and confront themselves.
Read MoreFrom a man in Japan who has romantic attachment to a pillow, to boom in realistic baby dolls, to a movie about a man who falls deeply in love with a life-size silicon woman, our craze for surrogate objects reveals more than simple fetishism.
Read MoreWhat does it mean when a movie series infiltrates our daily lives, and infuses our summer nights with “magic”?
Read MoreIf animals can communicate, not only with one another but with us, haven’t they transcended their own condition? And, as we know, transcendence is key to religious experience…
Read MoreSimply put: Font matters. Is it possible that the most pervasive typeface of late capitalism—Helvetica—is telling us what the gods wish: Do not worry. Trust in me. Put your value here, and you will be rewarded?
Read MoreIn this invitation to inter-cinematic dialogue, S. Brent Plate offers a Lenten season roundup of Jesus films from all across the world, and not a blue-eyed protagonist among them.
Read MoreHow did reviewers from the New York Times to Christianity Today miss the obvious religious references in this Oscar-nominated hit? Did they blink and reach for popcorn at the images of a tattooed Jesus Christ on Randy’s back, or was it more about the myth of modern individualism and body-soul dualism?
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