The Way of the Brother: How Critics Missed the Boat on Tree of Life
…plausible. In fact, many of Malick’s films—in terms of cinematography, mise-en-scene, soundtrack, and editing—have much more in common with Korean Buddhist-themed films than they do with anything produced by his compatriots in Hollywood. I’m thinking here of Why has the Bodhi-Dharma Left for the East? (Yong-Kyun Bae, 1989), Passage to Buddha (Sun-Woo Jang, 1994), and Spring, Summer, Autumn, Winter, … and Spring (Ki-Duk Kim, 2003), a list that coul…
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