‘Miracles’ Rejects Disenchantment, Not Science
…d scientists, but of phenomena that confirm the reality of the sacred—what Mircea Eliade called hierophanies. At the heart of “Miracles” is not a fundamentalist rejection of science but a rejection of disenchantment—of a societal pressure to accept a rational-scientific worldview even when it fills our world with less meaning instead of more. It is ultimately not surprising that horrorcore shock artists, who have apparently rejected every other so…
Read More