The Holocaust and 9/11 Museums: A Tale of Two Controversial Films
…es. “The Rise of Al-Qaeda,” on the other hand, begins with a short, context-free definition of “groups known as Islamists,” burns through an array of undefined and inconsistent religious terminology, and ends with the blunt statement that Al-Qaeda seeks a sinister-sounding “rule of Islamic law.” The 9/11 Museum, in both its film and paneled exhibition, assumes wrongly and ahistorically that the motivational and propaganda statements of Al-Qaeda, w…
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