Religion and Gender Trouble in the Black Arts: Remembering Toni Cade Bambara’s The Black Woman
…the scores of other clergy who took up the topic of Black Power during the 1960s. Father Divine was certainly different from most of the models of spiritual integrity (i.e., Marcus Garvey, Malcolm X) celebrated during the 1960s. It must have been odd for readers to find Father Divine on the pages of The Black Woman in 1970, the same year that Toni Cade took the additional name Bambara as an homage to her African heritage. He was not, by any measu…
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