Pop-Eye: Meat The Wrestler
…nding clients for lap dances, but still must make money to support her nine-year-old child. (Slyly, A.O. Scott’s New York Times review ends with a note on its “R” rating since, “It has fake bloodshed and real nudity”: This difference is crucial.) Cassidy and Randy each work double lives, between their bodies as commodities and their bodies that have to pay the rent and support their children. Somewhere in all the meat are identities, struggling fo…
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