In the Story of the New Testament We Are the Romans—No Matter Who Wins the Election
…ourse, the painting isn’t historically accurate. But that didn’t matter to Signol or to the painting’s audience. To its time, the work was a vision of European Christianity’s victory over the people of Palestine. To Signol—and/or to those viewing the painting—it was also picturing a triumph of culture over ignorance, of civilizing forces over disordered society. And specifically (and perhaps unconsciously), it was the white European’s victory over…
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