Sacred Geography: A Queer Latino Theological Response to Orlando
…only LGBTQ mariachi band. I made eye contact with Natalia Melendez as she sang, “Cucurrucucú Paloma,” a Mexican huapango-style song about love, loss, and pain. Tears began to pour down my face and I said to myself: “My people…” As a theologian, I may not have the words to make sense of these events right now, but I do have the vocabulary to talk about what these spaces mean to queer Latin@s, like myself. An elementary school, a church, a synagogu…
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