The Real (and More Interesting) World Behind Magic in the Moonlight
…nley and the (seemingly) credulous Sophie meet somewhere in the middle. By minute 90, the audience has been transitioned too, through Allen’s own sleights of script, from Stanley’s once-strict Nietzscheanism (“I think Nietzsche has disposed of the God matter rather convincingly”) to Sophie’s less nihilistic take (“we need our illusions to live”). All of this makes for dramatic (if predictable) storytelling, cinematic synthesis and the like. And hi…
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