Come Hell or High Water: How the Melodrama of Disaster Leaves Us Vulnerable
…at this melodramatic theater of the apocalypse, the whole genre of disaster-as-entertainment, actually makes it harder for citizens and governments to take the steps they need to prepare for catastrophe. The problem is that people don’t want dull disasters—or, at least, many parties benefit from the excitement caused by catastrophe. “[M]edia has a strong incentive to sell copy or images,” Dercon told me by email. “This means that the early stages…
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