Still Captivated by Southern Gospel
Why is a gay secular humanist academic who left the world of orthodox fundamentalist evangelicalism half a life time ago still singularly captivated by Southern gospel music? Why, in the book’s terminology, have I been a Southern gospel sissy lo these many years since evangelicalism ceased to otherwise be a functional worldview for me? And why am I still proud and happy about it? Turned outward, the question becomes: What is it about the music that supports so many various affections and attachments?
Read More