Religion Dispatches
In this fourth installment of Mark Dery’s cultural critique-cum-“nonfiction novella” about a born-again teen’s transcendent encounter with Ziggy Stardust in the 1970s, our hero reckons with a conflicted Christ and watches in disgust as his beloved friday night coffee house is subsumed by the very church it served as an alternative to.
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Christian Soldiers of the Apocalypse have been running around the woods of Michigan planning attacks on federal law enforcement in their war against the Antichrist. How does the Hutaree Militia fit into the history of American militias and conspiracy theorists?
Read MoreThe newspaper’s right wing TV critic charges that Amanpour, an Iranian-born journalist, can’t be objective on Israel.
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Is it the inhumanity of the machines that will prove to be the tragic pivot in this science fiction world, or will it the inhumanity of the humans? Again we find ourselves asking: where does human consciousness begin?
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This week’s episode asks big questions about psychology and religion, and reminds us that a dog is a robot’s best friend.
Read MoreWhy is the right launching a War on Easter?
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Interfaith Alliance lobbies textbook publishers to stand up to Texas’ historical white-washing
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Welcome to the first installment of our ongoing coverage of television’s latest contribution to the cultural intersection of science and religion, with bonus themes to include: the body, artificial intelligence, paganism, original sin, immigration, and race. Join Diane Winston, Anthea Butler, Salman Hameed, and Henry Jenkins every week as they delve into deep exegesis of Caprica.
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In this third installment of Mark Dery’s cultural critique-cum-“nonfiction novella” about a born-again teen’s transcendent encounter with Ziggy Stardust in the 1970s, our hero experiences an agape that is equal parts sanctified rapture and endorphin rush at a radical Friday night coffeehouse church. Meanwhile, the hippie Jesus of the Jesus Freaks reaches the big time in mainline protestantism.
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In this opening episode of Mark Dery’s original, autobiographical essay (a “nonfiction novella”) about a suburban teen’s transcendent encounter with Ziggy Stardust, we’re introduced to David Bowie’s astro-hippie alter ego from the early 1970s, a glam-rock deity of Frankensteinian spookiness and ladyboy vulnerability.
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