damien hirst

What might it mean for a synagogue, a church, a mosque, or a temple, to set up a video screen in its sanctuary and play these images of death from September 11—and then turn around and respond to them? What reinvented rituals might result from a ritualized, contextualized reception of these images? Such communal framing gets us beyond the questions of morbid voyeurism because it eliminates the one-way dimension and places images within a social setting. It further allows us to reflect and come to terms with dying, thereby stirring the potential for a good death.