film and religion

The top films for 2010—especially those up for this Sunday’s awards—leave most of the species-specific questions behind. Instead this year’s crop reflects anxieties (as well as promises) about who we are and who we might be becoming in and as humans, in our own skins—never mind the “prawns” or “Na’vi.” Questions provoked by this year’s films include those concerning the nature of our selves in connection and collision with our families, our larger social institutional entanglements, and our own bodies. The other key theme, effecting each of the others, had to do with the ways new media technology is inserting itself into our intimate lives, and changing our identities, both public and private.