‘Enchanted New York’ Offers a Journey Through the City’s Magical History — With Some Mystifying Oversights
New York City has the reputation of a place with absolutely zero patience for BS….
Read MoreNew York City has the reputation of a place with absolutely zero patience for BS….
Read MoreThe World Trade Center Transportation Hub’s architectural centerpiece, named the “Oculus,” is an unsightly and inappropriate monument.
Read MoreI made a lot of jokes about what to wear to the Pope’s Interfaith Service…
Read MoreOn Friday, Pope Francis went for an walk alongside the north pool of the 9/11…
Read MoreA Good Friday post-mortem, as it were.
Read MoreThe subject of The Wooster Group’s latest work, Early Shaker Spirituals by the Shaker community at Sabbathday Lake,…
Read MoreI’m not arguing that Islamophobia is racist, or that Islamophobes are racists, because that’s not quite what’s happening. For one thing, Islamophobes embrace ex-Muslims like Ayaan Hirsi Ali, and racists wouldn’t (indeed couldn’t) do the same. But consider the similarities: the Islamophobe must assume Muslims suffer some sort of pre-Islamic inferiority, sufficient to explain how some (largely non-white) people—actually, a lot of people—not only fell for Islam in the first place, but then stayed down. How long do enforced ideologies last? Nazism: twelve years. Communism: some decades. Islam: Fourteen centuries and counting.
Read MoreIf there is one thing people need during a national disaster, it is functioning and effective government. If there is one time we need redistributive justice, it is during a crisis. Much of politics perhaps just comes down to what is, and is not, a crisis—a hurricane I hope we can all agree on. But what about climate change? Or health care? What is life-threatening? What is an emergency?
Read MoreWhat might it mean for a synagogue, a church, a mosque, or a temple, to set up a video screen in its sanctuary and play these images of death from September 11—and then turn around and respond to them? What reinvented rituals might result from a ritualized, contextualized reception of these images? Such communal framing gets us beyond the questions of morbid voyeurism because it eliminates the one-way dimension and places images within a social setting. It further allows us to reflect and come to terms with dying, thereby stirring the potential for a good death.
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