theology

Tyler Perry’s Museum of Blackness

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Tyler Perry’s Madea franchise is part of a collective of black, fat drag, comedy-dramas. These films bear six distinguishing features: 1) they are considered “successful” because they gross more than their production costs; 2) they are accompanied by an R&B/gospel soundtrack, and 3) include casts of popular black actors and actresses who are well known within African American communities. Also characteristic of these films are 4) the use of multiple and arguably watered-down Protestant messages about the importance of faith in God, couched in comedic performance, to appeal to mass audiences. An additional feature is that 5) the black church is the space where a significant turning point and/or the film’s resolution occur. Most notably, these films are characterized by 6) the donning of intricately designed fat suits by black men (Tyler Perry, Martin Lawrence and Eddie Murphy) to parody black women.

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Can Atheist Billboards Kill Religion?

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Billboards, rallies, biting commentary—all this is meant to deconstruct the cultural worlds framing sacred texts and ideas, and to do deep damage to the stronghold religion has on life in the United States. I’m in favor of billboards, as well as other organized efforts to advance progressive values and life-affirming ethics. Why should theists alone be allowed to present their ideas in grand ways? The anger coming from theists when confronted with the absurdity behind some of their own faith commitments shouldn’t silence non-theists, and it doesn’t require special handling by public figures.

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