Are Evangelical Films Destined to Leave Secular Audiences Behind?
…n use that power to ask for better entertainment, things that actually do explore the deep, complex questions that have animated our faith for millennia.” Interestingly, that’s not very different than the argument Lalonde made before the film was finished, and it’s similar to the argument Jenkins and LaHaye made when they were angry at Lalonde’s earlier versions. But Left Behind just underscores the broader conflict between art, faith and commerce…
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