Martyrdom, Racist Violence, and the Role of Art: Kara Walker’s Religious Turn
…g into the hull of slave ship), and tributes to movements such as the 1968 Republic of New Afrika that sought a separate black state within American territory as well as John Africa’s MOVE community (largely destroyed in 1985 with a militarized police action in Philadelphia that destroyed 65 homes). Kara Walker’s work has always spoken the language of urgency—a visceral, force coupled with conceptual strands that the viewer must slowly unravel and…
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